You know I love music.
And you knew I was going to do a “year end” list. So don’t act surprised that this has
been posted.
I mean seriously, don’t we know each other well enough by this
point to dispense with the pretense?
Let’s get into it.
Fiona Apple – The Idler Wheel…
A Fiona Apple album is always a new experience. It never sounds like anything else on
the market and it always feels deeply personal. Honestly listening to a Fiona Apple album, at times, feels
like an intrusion. The Idler Wheel
is no different and what’s more, is that it’s an album that also feels like an
album and not just a collection of songs.
It begins with “Every Single Night” and it’s chantlike
chorus and ends the jazzy “Hot Knife.”
In between are eight tracks that run the gamut from romance to break
up. Apple sounds as vulnerable as
ever, while still sounding defiantly strong. And the wordplay in unparalleled. The album is just brilliance.
The xx – Coexist
Being as hyped as they were, The xx should have hit the
sophomore slump. Instead they
delivered an album that both remains true to and builds upon their debut. The tracks remain pristine and sparse;
there’s not a superfluous sound to be heard. And the songwriting feels a bit more mature this time around.
As you’d expect there’s a lot of loving and longing. “Angles” borders on haunting and
“Friction” slings along in a sultry fashion. But it’s not a total shoegaze affair. There are hints of a party
brewing. “Chained” is a song that
could easily get you moving on a dancefloor.
Best Coast – The Only Place
Growth. That’s
the best way to describe The Only Place.
While Best Coast’s debut, Crazy For You, was a fun ride, their sophomore
effort has more depth and weight to it.
The songs are also longer and the production is much smoother.
This time around Bethany sings approaches things from a more
plaintive point of view. Life
isn’t as much of a party as it was (“Last Year”) and success is a burden (“How
They Want Me To Be.”) Still “Let’s
Go Home” proves there’s still room for fun and the title track threatens to
become a Cali anthem. Sophomore
slump avoided.
Nas – Life Is Good
Nas has a couple of things going against him. In a young man’s genre, he’s got over
two decades of experience under his belt and he’s got a history of
clunkers. Yet Life Is Good shows
Nas at the top of his game and as thoughtful as ever.
Nas pours his heart into songs like “Daughters” and “Bye
Baby” that require him to drop his bravado and be frank and honest. It’s refreshing. Nas also manages to play well with
other; none of his features feel like padding. Also with “Summer on Smash” Nas finally manages to score a
club banger. Nas hasn’t sounded
this alive since Stillmatic.
Beach House – Bloom
On their fourth album Beach House don’t stray far from
what’s worked so well in the past; dreamy soundscapes and breathy vocals. This time around things feel more
cohesive, which is why Bloom ranks with the best of the year. Every song seems to flow from the previous one.
Bloom is an easy album to get lost in. It’s the type of album that would be
the perfect soundtrack to a lazy afternoon in a hammock. Victoria Legrand’s voice straddles the
border between haunting and ethereal so every song really feels like you’re
floating on a cloud.
Kendrick Lamar – good kid, m.A.A.d. City
As 2012 began Kendrick Lamar was in an unenviable position;
he had to be the savior of West Coast rap. And he succeeded, sort of. He’s a Compton emcee and his debut is set in Cali. But in terms of tone and sound it’s
hardly West Coast, which may explain success.
His beats range from things you’d expect to hear Brooklyn
emcee spit on to stuff that sound damn near OutKast-esque. good kid, m.A.A.d. City is the best of
all possible worlds.
Tame Impala – Lonerism
Lonerism sounds like an album from another time. It’s synthesizer heavy and prone to
psychedelic jammy freakouts. There
are extended intros and groovy outros.
It sounds like nothing on the radio today, which means it sounds
good.
With that in mind, Tame Impala do seem to be playing with
more traditional song structures and it pays off. While the vocals and lyrics seems almost secondary to the
atmosphere created, the songs themselves are easily digestible. And this time out Tame Impala seems a
pinch more mature.
Dirty Projectors – Swing Lo Magellan
Dirty Projectors enjoy trying new things. In fact there are only a few things one
can expect from a Dirty Projectors album; awesome harmonies, a unique sound and
an interesting experience. Swing
Lo Magellan delivers on all counts.
“Gun Has No Trigger” finds David Longstreth singing in an
almost panicked state, while Amber Coffman and Haley Dekle harmonize on the
outskirts of the track before bursting in during the chorus. Meanwhile “Unto Caesar” features voices
talking about the song, making it almost a meta experience. This is an album that’s incredibly
weird and immensely listenable at the same time.
Cat Power – Sun
Chan Marshall returned from an extended hiatus with an album
that’s downright catchy. It’s
almost as though she was tired of all of the accolades and wanted success. But she didn’t sell out. It’s still a Cat Power album, only it’s
one that you might be able to dance to.
“Cherokee” builds from chill track to one with a throbbing
beat. And “Peache And Love” has a
bit of Hip-Hop swagger. Honestly,
Sun sounds like what a stripped down Santigold album might sound like. And that’s a compliment.
Gary Clark Jr – Blak And Blu
Blak And Blu is an anomaly. It’s a genuine rhythm and blues album but it was released in
2012. It’s got horns (“Ain’t
Messin ‘Round”) and real Blues (“When My Train Pulls In”) and it’s not by some
white guy going for a throwback vibe.
Gary Clark Jr has been hailed as the savior of the Blues,
which implies that the Blues are still viable. Clark dabbles in other genres too. The title track is modern R&B, complete with a programmed
beat and “Glitter Ain’t Gold” brings the edge of Rock to the party. Where all of this could come off as
schizophrenic, Clark pulls it off and delivers an album that feels like it’s
created by a guy who loves music.
Yeah, so that’s what I listened to and loved in 2012. I’ve got some high hopes for 2013. Maybe I’ll even post them.
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