The second part of our “remake double feature” is
Oldboy.
I dig Spike Lee.
I’ve basically been down with Spike from the beginning, though I was
clearly too young to be watching She’s Gotta Have It. I’ve grown to appreciate the type of filmmaker that he is.
He can make a studio picture. He can also make a personal film. He’s also made a few “message” films. But the beauty of Spike Lee is that you
know what your in for, depending on the hat that he’s wearing.
So where does Oldboy fit?
First things first, I’m a fan of the original Oldboy
film. I’m also one of the lucky
ones who didn’t have someone else spoil the film for me. But that doesn’t mean the ending was
still tainted for me. Let me
explain.
As I was watching the original and the point of revenge was,
pardon the pun, hammered home, my mind began to wander. This frequently happens when I’m
watching something or even reading prose; part of my brain clicks on and begins
to put together how I would have shot that scene, introduced that character,
finished that sentence.
It’s a curse in that I’ll invariably ruin a twist that
happens later in the movie. And
that’s what happened with Oldboy.
I was thinking “you know what would be a sick revenge…” and that’s
essentially what ended up taking place.
I can only imagine how powerful the reveal is if it completely
blindsides you. Oh well.
As for the American remake, it’s a tricky proposition. Spike Lee’s Oldboy isn’t bad, it’s just
ok. The story doesn’t really deviate
from the original film, there are just minor tweaks to details. Enough to say
things are different, but not enough to declare any sort of originality.
I’m a fan of Elizabeth Olsen, after discovering her during
last year’s Movie Week. She
doesn’t really have that much to do in this film. Her character doesn’t really have an arc or a journey, she’s
really just part of Josh Brolin’s journey. But she does fine with what she’s given.
Brolin is completely believable as Joe Doucett. You believe he’s the loutish jerk who
would hit on someone’s wife while he’s in the bathroom. He’s equally believable in the action
sequences, which are expertly staged.
Speaking of the staging, Spike does a good job
directing. He’s not really known
for action, which makes the action sequences all the more impressive. Spike frames interesting shots and
manages to tell the story without unnecessary distractions. It’s not really a showy movie, but
there are still some signature Spike Lee shots.
I totally get what Oldboy’s critics say about the
movie. It’s not great. But I think that it’s firmly
adequate. It’s only sin is really
not being original enough, which is a weird thing to say about an remake of a
foreign film.
On a personal note I think it would have been interesting if
Oldboy took the same basic story of the original, but instead focused on the
dual themes of revenge and imprisonment.
I think the cost of revenge would be an intriguing thing to lay into the
story. Also the dehumanization of
imprisonment and the adjusting to life in society would be something that could
have been explored.
But whatevs.
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