You know how sometimes something looks too good to be
true? That’s how felt about Mad
Dogs.
It’s a show from the creator of The Shield, Shawn Ryan, and
stars Steve Zahn, Romany Malco and Michael Imperioli. That’s a pretty good pedigree of talent.
So, was Mad Dogs too good to be true?
Mad Dogs tells the tale of four friends who take a trip down
to Belize to celebrate the retirement of a fifth friend, who lives down
there. They all arrive with their
own baggage. The married Cobi (Steve Zahn) could have partnered with Milo
(Billy Zane) but went the safe route.
Joel (Ben Chaplin) still carried a torch for Cobi’s wife. Lex (Michael Imperioli) is in recovery
and just scraping by. Gus (Romany
Malco) is divorced and broke after ruining his marriage.
Of course the grass is always greener, so Milo’s lavish life
in Belize not only provides for a nice getaway, but also shows them what they
didn’t achieve. And Milo also
provides them with flowing gift baskets once they arrive, including (unsubtly)
camcorders.
But after a day of fun, tensions begin to flare. Milo is being pressured by some shady
characters, who dump a dead goat into his pool, and he begins to pick at his
friends. His friends bury the goat
and then things get crazy. In
retaliation for the goat, Milo steals a boat and his friend go along for the
ride, thinking everything is kosher.
Once they realize it’s not, they want out.
Milo persuades them to have one final meal together. The evening doesn’t end well and
someone ends up dead. A mess is
cleaned up. But the next day, when
a local cop (Athena Karkanis) drops by to inquire about the missing boat, the
guys decide to leave the country.
The only problem is that Cobi left his camera on the boat, which has footage
of them, carefree and using names.
Mad Dogs is an adaption of a British show of the same
name. I haven’t seen it, but
British adaptation seem to be split pretty evenly between impressive and
forgettable. So far Mad Dogs is in
the former category.
Mad Dogs makes the sound decision of not spelling everything
out. The audience doesn’t get too
much back story into the group of friends, how they met or how they grew apart,
which makes sense; old friends with a shared history naturally wouldn’t provide
exposition like that.
Director Charles McDougall knows how to maximize the creepy,
as he does expertly in the dinner scene.
The visual of the diminutive killer in a cat mask is haunting and
effective. That said, the use of
the cameras in the first act practically screams “these cameras will be
important later” which undermines the reveal of the left camera.
The actors all a really solid job with their roles. No one is really asked to do anything
extraordinary, except maybe for Chaplin who has to put on an American
accent. He doesn’t quite have it
down, which is mildly distracting.
Athena Karkanis was a pleasant surprise. She was one of the best things about
AMC’s Low Winter Sun (another adaptation of a British show) so seeing her turn
up really captured my attention.
Given her role, I imagine that, should Mad Dogs move forward, she’ll
become an important part of the show in the future.
Mad Dogs was the one pilot this season that I had
expectations for going into it and I’m happy to say that I wasn’t
disappointed.
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