So earlier in the week, I had a Steven Soderbergh double
feature of Contagion and Magic Mike.
But then I remember that Esteban had another movie that I’d really
wanted to see; Behind the Candelabra.
Who doesn’t want to watch a movie about Michael Douglas
seducing Matt Damon? Doesn’t that
sound like an awesome Saturday Night?
And now our feature presentation.
Behind the Candelabra has the distinction of being Steven
Soderbergh’s “final” film. He’s
going to take some time off to explore other aspects of life. I for one am
going to miss his work because he’s a very dependable filmmaker.
Confession time; I dig Liberace. Granted I really only go to know of him late in life, I find
him fascinating. I mean here’s a
guy who’s completely flamboyant for three decades and his adoring fans never
get the idea that he’s gay. It
blows my mind.
I mean he even showed up in Good Night, and Good Luck, which
I’d watched the pervious night, completely in the closet. I’m not judging by the way, I can
remember watching early Wham! Views and not being aware that George Michael was
gay. You live and you learn.
And the fact that Liberace was such a huge draw for such a
long time, it’s really quite impressive.
So getting a glimpse at what his life was like was an opportunity that I
could pass up.
Behind the Candelabra really mirrors Boogie Nights in terms
of arc. We have a young guy
getting introduced to the life of a star, becoming seduced by it and ultimately
succumbing to drugs. And it’s
because of it’s familiarity that it works.
Candelabra also echoes Boogie Knights in that it documents a
bygone era completely, from fashion to trends. The lavishness of Liberace’s lifestyle makes this aspect
particularly entertaining.
The cast does a really good job of filling out their
roles. Michael Douglas invests
Liberace with arrogance, vulnerability and even humanity, while Damon plays
Scot Thorson as a character who evolves from being moderately naïve to
bordering on being a douche. Scott
Bakula quietly plays an enabler, while Rob Lowe basically steals every scene
he’s in.
The locations the film was shot in looked grand. And having lived in Vegas I recognized
a couple of the places, most notably the adult bookstore Liberace and Scott
visit. That was a place that
coworkers and I would invariably hit up after a night of sushi. Someone would suggest we check it out
and we’d head there, en masse, to laugh at all the various devices.
But back to the movie.
It managed to find the balance between camp and humanity, which is
difficult to do when the subject is Liberace. If you get the opportunity, give it a shot, I doubt you’ll
be disappointed.
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