It’s the season premier of Saturday Night Life. It’s a rebuilding year, which means
there’s a ton of new cast members.
That can be a good thing or an awkward thing.
On the plus side Tina Fey is hosting and you’d be
hard-pressed to find another SNL alum in recent memory who has been more
successful. She wins awards,
conquered tv and was successful in both print and film. Also, Arcade Fire are along for the
ride.
Let’s get it on.
Phil Hartman – Comedic gold
Chris Farley – Definitely funny, but kinda messy
Norm MacDonald – Funny, but not for everyone
Kristen Wiig – So-so premise saved by performer.
Tim Meadows – Didn’t hate it, didn’t love it, dripping with
adequatulence
Darrell Hammond – Funny, but overstayed it’s welcome
Jim Breuer- Crowd pleaser, but a bit obvious
Robert Downey Jr – Brilliant performer, not a lot to work
with
David Spade – Trying too hard
Janeane Garofalo – Weird weird, not weird funny
Obama Cold Open – Things appear to start off on a high note;
Jay Pharoah has never been better.
(It retrospect it’s because it’s the only thing he had to prepare for
this week.) Obamacare is almost
defined by it’s lack of definition, so this sketch really resonated. It’s unfortunate that the crowd stepped
all over Aaron Paul’s lines, especially his last line. This was a topical and tame sketch, not
really a funny one.
Rating: Tim Meadows
Monologue – For the record I would totally watch sketches with
all of Tina Fey’s forgotten characters.
I enjoyed the hazing of the new cast members, though I think that part
of the reason Tina danced so much is because she was a female cast member. I liked her taunting them as they
danced. I loved the line
“congratulations you’re done of the night.” But it’s sort of sad that Tina Fey isn’t the most memorable
part of her own monologue.
Rating: Chris Farley
Girls – I’m glad SNL decided to take on Girls and even
happier that they decided to do the smart thing of attacking the inanity of the
show rather than the lack of diversity.
Had they done the latter, it would have been a pot/kettle type
scenario. The sketch is like an
extended “first world problems” joke.
The impressions were pretty spot on. Nice to see the females get time to shine.
Rating: Norm MacDonald
Express Air – This is a funny sketch that stands on it’s
own. The star is the writing and
the premise. It wasn’t flawless;
the bit with small parents didn’t need a line and the farting joke got stepped
on by applause. The absurdist ending
worked out really well. Really
strong sketch.
Rating: Phil Hartman
New Cast Member or Arcade Fire – This seems a bit too self
referential for me. If the last
sketch was a triumph for the writers, this one is a strike out. That’s two sketches so far that relied
on the newness of the new cast members. The writing isn’t there on this sketch and Tina Fey
barely delivers. Lorne
Michaels played aloof like a pro, but this sketch has nothing. So far SNL is relying on the new cast
members, but in the worst way imaginable.
Rating: David Spade
eMeth – This is a funny, if predictable bit. It’s saved by lines like “gacked up on
whop chicken.” Also; who’s hosting
this week; Tina Fey or Aaron Paul?
Rating: Tim Meadows
Arcade Fire Performance #1: First off, I’m kind of impressed
that Arcade Fire has a song that’s actually danceable. It’s almost slinky. I mean the song has an actual groove. Win’s awesomely awkward dancing is also
spectacular. This song has me even
more excited for Arcade Fire’s new album.
Weekend Update – Cecily Strong had a decent debut. She’s still getting comfortable and
working on delivery, but she did not offend. That line about Low Winter Sun hurt. Tina didn’t really add too much with
her appearance, but the O.J. bit was very strong. I will say that I was very impressed with the character of
Bruce Chandling. That’s a funny
character and I hope he reappears.
I predicted that Anthony Crispino was going to appear, but we got Drunk
Uncle instead. I was close. Meth Nephew would have been much
funnier if it wasn’t Aaron Paul’s third appearance of the night, and playing
the same character.
Cinema Classics – The first hint of a reoccurring sketch of
the night. The formula of the
behind the scenes drama bleeding into old movies is tried and true, but this
felt stale. This is a sketch that
sounds funny on paper, but doesn’t really play live.
Rating: Robert Downey Jr.
Rick’s Model Ts – The premise of the very first used car
commercial is a very solid one.
The way it played with car commercial tropes was stellar. I feel like Tina Fey’s delivery sort of
muddled some of her lines. But it
was still a strong sketch.
Rating: Norm MacDonald
Arcade Fire Performance #2: Let me just begin by saying that
I enjoy the theatricality of Arcade Fire.
I dig the matching outfits.
I like that Win Butler looks like he could be performing a song from the
soundtrack for the Lone Ranger. I
love that there’s so much going on onstage. And I enjoyed that the cameras caught the percussionists
switching instruments.
Manolo Blahniks – First off, props to Lorne for returning
this sketch to the five-to-one spot.
This sketch is a double edged sword; on one hand it’s great to see
familiar characters, even if it’s the last sketch. On the other hand, this sketch is so terribly formulaic that
it’s barely funny anymore. Part of
the comedy comes from the outrageousness of their statements, but it’s hard to
be outrageous when it’s been done so many times. This sketch makes me really look forward to Seth Meyers
leaving Update.
Rating: Jim Breuer
Final Thoughts – The premiere satisfied fans and
naysayers. Fans are going to see
the potential that was evidenced tonight; Kyle Mooney and Mike O’Brien had
strong performances. But at the
same time naysayers are going to point out that the main cast didn’t really
have anything to work with.
There were no real knockout sketches this week, nothing happened this
week that anyone’s going to be talking about tomorrow. And while Tina Fey joked about it in
her monologue, she didn’t play any memorable characters.
I really don’t know if there’s anything to take away from
this premiere. In fact this entire
season might end up being like a typical season premiere; people are going to
be finding their rhythms and getting comfortable.
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